Wednesday, December 13, 2017
By the end of technical rehearsals, book sculptures and seating cubes dotted JACK's wood floor, roughly delineating the playing space. Across these, the cast formed and reformed as the directors cycled through pieces and a handful of lighting cues—a warm daylight effect, darkness, and two bold washes, one purple one green. Reflected against the tin-foiled crinkle of JACK's walls (its most uncompromising feature), the green and purple elicited an endless formless horizon of dynamic, saturated color. The whiter lights cast against the walls returned an intense glare while a truly empty darkness remained elusive; the metallic walls amplified any ambient light into a glow strong enough to illuminate the outlines throughout the room.